Her work explores Black memory, ritual, land, and collective care through large-scale, tactile environments rooted in history and community participation.

Anderson’s practice centers fiber and handmade processes as vessels for cultural memory, transformation, and connection. Using crochet, textiles, paper pulp, and sculptural form, she creates immersive installations that invite slowness, touch, and reflection.

Her work is informed by African diasporic histories, domestic labor, spiritual traditions, and the politics of care, positioning fiber not as decoration, but as architecture, archive, and offering.